Louise Misha | Lunami Blush Cardigan - Embroidered Cropped Knit
The Lunami Blush cardigan from Louise Misha is an exercise in controlled softness, where a slightly cropped silhouette meets the unexpected architecture of a puffed sleeve. This is not a passive knit; it claims its space on the body with a deliberate, almost sculptural volume that feels both airy and intentional. The cut is concise, ending just above the natural waist, creating a clean line that invites layering without bulk. It is a piece that understands proportion—the puff of the sleeve is balanced by the clean, open line of the neck, making the entire garment feel like a considered composition rather than a simple covering. Handmade floral embroideries, rendered in vivid, saturated threads, trace the plunging V-neckline and follow the rickrack edges, lending a tactile, artisan quality to the surface. The mottled knit itself is a study in texture: a blend of nylon, acrylic, wool, and mohair yields a fabric that is simultaneously warm and breathable, with a slight halo of softness from the mohair that catches the light. The wool provides structure, while the acrylic and nylon ensure the cardigan holds its shape without sagging. The hand is substantial enough to feel like a true layer, yet the open, airy stitch prevents any sense of heaviness. The construction is deliberate: three front buttons sit low, allowing the cardigan to fall open naturally or be fastened for a more closed, sculptural line. The puffed sleeves are gathered at the shoulder and finish with a fitted cuff, creating a dramatic yet wearable volume that moves with the arm rather than against it. The cropped length is precise, landing at the high hip to preserve the line of a high-waisted trouser or a slip dress. The rickrack trim is not an afterthought but a structural detail, defining the edges with a slight wave that echoes the organic nature of the embroidery. When worn, the cardigan moves with a gentle resistance—the mohair and wool give it a slight bounce, while the embroideries add a subtle weight that keeps the fabric from floating. It is a piece for the in-between seasons, for the transition from a cool morning into a warmer afternoon, or for an evening where the air carries a chill. Style it over a slim silk slip dress to let the embroidery lead the composition, or pair it with high-waisted tailored trousers and a fine-gauge turtleneck for a layered, textural contrast. The blush ground is neutral enough to anchor a wardrobe of denim, cream, and black, while the floral details demand to be seen.
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Louise Misha | Lunami Blush Cardigan - Embroidered Cropped Knit
Louise Misha | Lunami Blush Cardigan - Embroidered Cropped Knit
The Lunami Blush cardigan from Louise Misha is an exercise in controlled softness, where a slightly cropped silhouette meets the unexpected architecture of a puffed sleeve. This is not a passive knit; it claims its space on the body with a deliberate, almost sculptural volume that feels both airy and intentional. The cut is concise, ending just above the natural waist, creating a clean line that invites layering without bulk. It is a piece that understands proportion—the puff of the sleeve is balanced by the clean, open line of the neck, making the entire garment feel like a considered composition rather than a simple covering. Handmade floral embroideries, rendered in vivid, saturated threads, trace the plunging V-neckline and follow the rickrack edges, lending a tactile, artisan quality to the surface. The mottled knit itself is a study in texture: a blend of nylon, acrylic, wool, and mohair yields a fabric that is simultaneously warm and breathable, with a slight halo of softness from the mohair that catches the light. The wool provides structure, while the acrylic and nylon ensure the cardigan holds its shape without sagging. The hand is substantial enough to feel like a true layer, yet the open, airy stitch prevents any sense of heaviness. The construction is deliberate: three front buttons sit low, allowing the cardigan to fall open naturally or be fastened for a more closed, sculptural line. The puffed sleeves are gathered at the shoulder and finish with a fitted cuff, creating a dramatic yet wearable volume that moves with the arm rather than against it. The cropped length is precise, landing at the high hip to preserve the line of a high-waisted trouser or a slip dress. The rickrack trim is not an afterthought but a structural detail, defining the edges with a slight wave that echoes the organic nature of the embroidery. When worn, the cardigan moves with a gentle resistance—the mohair and wool give it a slight bounce, while the embroideries add a subtle weight that keeps the fabric from floating. It is a piece for the in-between seasons, for the transition from a cool morning into a warmer afternoon, or for an evening where the air carries a chill. Style it over a slim silk slip dress to let the embroidery lead the composition, or pair it with high-waisted tailored trousers and a fine-gauge turtleneck for a layered, textural contrast. The blush ground is neutral enough to anchor a wardrobe of denim, cream, and black, while the floral details demand to be seen.
Original: $233.00
-65%$233.00
$81.55Product Information
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Description
The Lunami Blush cardigan from Louise Misha is an exercise in controlled softness, where a slightly cropped silhouette meets the unexpected architecture of a puffed sleeve. This is not a passive knit; it claims its space on the body with a deliberate, almost sculptural volume that feels both airy and intentional. The cut is concise, ending just above the natural waist, creating a clean line that invites layering without bulk. It is a piece that understands proportion—the puff of the sleeve is balanced by the clean, open line of the neck, making the entire garment feel like a considered composition rather than a simple covering. Handmade floral embroideries, rendered in vivid, saturated threads, trace the plunging V-neckline and follow the rickrack edges, lending a tactile, artisan quality to the surface. The mottled knit itself is a study in texture: a blend of nylon, acrylic, wool, and mohair yields a fabric that is simultaneously warm and breathable, with a slight halo of softness from the mohair that catches the light. The wool provides structure, while the acrylic and nylon ensure the cardigan holds its shape without sagging. The hand is substantial enough to feel like a true layer, yet the open, airy stitch prevents any sense of heaviness. The construction is deliberate: three front buttons sit low, allowing the cardigan to fall open naturally or be fastened for a more closed, sculptural line. The puffed sleeves are gathered at the shoulder and finish with a fitted cuff, creating a dramatic yet wearable volume that moves with the arm rather than against it. The cropped length is precise, landing at the high hip to preserve the line of a high-waisted trouser or a slip dress. The rickrack trim is not an afterthought but a structural detail, defining the edges with a slight wave that echoes the organic nature of the embroidery. When worn, the cardigan moves with a gentle resistance—the mohair and wool give it a slight bounce, while the embroideries add a subtle weight that keeps the fabric from floating. It is a piece for the in-between seasons, for the transition from a cool morning into a warmer afternoon, or for an evening where the air carries a chill. Style it over a slim silk slip dress to let the embroidery lead the composition, or pair it with high-waisted tailored trousers and a fine-gauge turtleneck for a layered, textural contrast. The blush ground is neutral enough to anchor a wardrobe of denim, cream, and black, while the floral details demand to be seen.



















