Petite Mendigote | Lavallière Collar Cotton Shirt - 225tobias
A shirt that announces itself before you’ve even turned the corner. Petite Mendigote’s 225tobias Blanc is anchored by a lavallière collar—an oversized pussy-bow that cascades with deliberate drama, demanding to be tied, knotted, or left loose in a soft, undone spill. This is not a demure accent; it is the focal point, a sculptural gesture that transforms a classic white shirt into something quietly subversive. The collar can be wrapped high for a cravat-like severity or left open to skim the collarbone, offering a spectrum of moods from sharp to languid. The fabric is pure organic cotton, chosen for its crisp hand and the way it holds a crease without feeling stiff. There is a breathable weight to it—substantial enough to maintain the shirt’s architectural lines, yet light enough to move with the body rather than against it. The cotton has a matte finish that absorbs light rather than reflecting it, lending the piece a studio-quality neutrality. It feels cool against the skin, a tactile reassurance that this is a garment built for wearing, not just for looking. Construction here is precise without being precious. The silhouette is straight through the body, a clean column that lets the collar and sleeves do the talking. Those sleeves are long and slightly puffed at the shoulder, then tightened at the wrist with a buttoned closure—a controlled volume that echoes the collar’s theatricality without veering into costume. The buttoned opening runs the full length of the placket, allowing for a deep V when undone or a crisp, closed line. The proportions are deliberate: a half-chest of 49 cm in a size S, with a total length of 62 cm, meaning it tucks neatly into high-waisted trousers or skirts without excess fabric bunching at the waist. When worn, the shirt moves like a series of deliberate decisions. The puffed sleeves catch air as you walk, softening the straight cut of the body. The collar swings or stays put depending on how you tie it—loose and fluid for a day of meetings, knotted tight for a dinner where you want the shirt to do the talking. It works across seasons: alone in spring, layered under a knit in autumn, buttoned to the neck in winter with a tailored blazer. Style it with raw-hem denim and loafers for a studied nonchalance, or with a floor-length wool skirt and heeled boots for a look that reads as both intellectual and sensual. The shirt does not need jewelry; its own hardware—the collar, the cuffs—is the ornament.
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Petite Mendigote | Lavallière Collar Cotton Shirt - 225tobias
Petite Mendigote | Lavallière Collar Cotton Shirt - 225tobias
A shirt that announces itself before you’ve even turned the corner. Petite Mendigote’s 225tobias Blanc is anchored by a lavallière collar—an oversized pussy-bow that cascades with deliberate drama, demanding to be tied, knotted, or left loose in a soft, undone spill. This is not a demure accent; it is the focal point, a sculptural gesture that transforms a classic white shirt into something quietly subversive. The collar can be wrapped high for a cravat-like severity or left open to skim the collarbone, offering a spectrum of moods from sharp to languid. The fabric is pure organic cotton, chosen for its crisp hand and the way it holds a crease without feeling stiff. There is a breathable weight to it—substantial enough to maintain the shirt’s architectural lines, yet light enough to move with the body rather than against it. The cotton has a matte finish that absorbs light rather than reflecting it, lending the piece a studio-quality neutrality. It feels cool against the skin, a tactile reassurance that this is a garment built for wearing, not just for looking. Construction here is precise without being precious. The silhouette is straight through the body, a clean column that lets the collar and sleeves do the talking. Those sleeves are long and slightly puffed at the shoulder, then tightened at the wrist with a buttoned closure—a controlled volume that echoes the collar’s theatricality without veering into costume. The buttoned opening runs the full length of the placket, allowing for a deep V when undone or a crisp, closed line. The proportions are deliberate: a half-chest of 49 cm in a size S, with a total length of 62 cm, meaning it tucks neatly into high-waisted trousers or skirts without excess fabric bunching at the waist. When worn, the shirt moves like a series of deliberate decisions. The puffed sleeves catch air as you walk, softening the straight cut of the body. The collar swings or stays put depending on how you tie it—loose and fluid for a day of meetings, knotted tight for a dinner where you want the shirt to do the talking. It works across seasons: alone in spring, layered under a knit in autumn, buttoned to the neck in winter with a tailored blazer. Style it with raw-hem denim and loafers for a studied nonchalance, or with a floor-length wool skirt and heeled boots for a look that reads as both intellectual and sensual. The shirt does not need jewelry; its own hardware—the collar, the cuffs—is the ornament.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
A shirt that announces itself before you’ve even turned the corner. Petite Mendigote’s 225tobias Blanc is anchored by a lavallière collar—an oversized pussy-bow that cascades with deliberate drama, demanding to be tied, knotted, or left loose in a soft, undone spill. This is not a demure accent; it is the focal point, a sculptural gesture that transforms a classic white shirt into something quietly subversive. The collar can be wrapped high for a cravat-like severity or left open to skim the collarbone, offering a spectrum of moods from sharp to languid. The fabric is pure organic cotton, chosen for its crisp hand and the way it holds a crease without feeling stiff. There is a breathable weight to it—substantial enough to maintain the shirt’s architectural lines, yet light enough to move with the body rather than against it. The cotton has a matte finish that absorbs light rather than reflecting it, lending the piece a studio-quality neutrality. It feels cool against the skin, a tactile reassurance that this is a garment built for wearing, not just for looking. Construction here is precise without being precious. The silhouette is straight through the body, a clean column that lets the collar and sleeves do the talking. Those sleeves are long and slightly puffed at the shoulder, then tightened at the wrist with a buttoned closure—a controlled volume that echoes the collar’s theatricality without veering into costume. The buttoned opening runs the full length of the placket, allowing for a deep V when undone or a crisp, closed line. The proportions are deliberate: a half-chest of 49 cm in a size S, with a total length of 62 cm, meaning it tucks neatly into high-waisted trousers or skirts without excess fabric bunching at the waist. When worn, the shirt moves like a series of deliberate decisions. The puffed sleeves catch air as you walk, softening the straight cut of the body. The collar swings or stays put depending on how you tie it—loose and fluid for a day of meetings, knotted tight for a dinner where you want the shirt to do the talking. It works across seasons: alone in spring, layered under a knit in autumn, buttoned to the neck in winter with a tailored blazer. Style it with raw-hem denim and loafers for a studied nonchalance, or with a floor-length wool skirt and heeled boots for a look that reads as both intellectual and sensual. The shirt does not need jewelry; its own hardware—the collar, the cuffs—is the ornament.
