SISSEL EDELBO | Maggie Suzani Embroidered Jacket - Asphalt
The Maggie Suzani jacket in Asphalt from SISSEL EDELBO is a study in deliberate contrast: the sturdy, utilitarian structure of a cotton canvas workwear silhouette is subverted by an explosion of handcrafted narrative. Its defining feature is the dense, vivid Suzani embroidery that crawls across the fabric—a tapestry of traditional Indian motifs woven with contemporary symbols like hearts, flowers, and the word “LOVE.” This is not a delicate accent; it is a bold, textural statement that transforms a reliable jacket into a piece of wearable art. The fabric itself is a substantial cotton canvas, chosen for its ability to hold shape and structure. It has a dry, crisp hand that softens slightly with wear, developing a subtle, personal patina. Against this grounded, almost industrial backdrop, the embroidery feels even more striking. The threads catch the light, their slight sheen creating a dimensional play across the surface. The manual chain-stitch technique, executed by Indian artisans using a tambour hook, lends the pattern a vivid, almost painterly quality—each stitch is a deliberate, irreplicable mark of the maker’s hand. Cut with a classic, boxy silhouette, the Maggie jacket sits squarely on the shoulders and falls cleanly over the torso without constriction. The front placket is secured by sturdy buttons, and two practical patch pockets at the hips ground the piece in functionality. The cut is generous enough to accommodate a fine-gauge knit or a silk blouse beneath, yet the crisp structure prevents it from feeling bulky. The hem hits at the high hip, a proportion that flatters a wide range of silhouettes, from flowing dresses to tailored trousers. When worn, the jacket offers a quiet sense of authority. The canvas remains still, while the embroidery becomes the focal point of any movement—a turn of the wrist, a hand slipped into a pocket. This is a piece for the city, for transit between appointments, for a late lunch at a gallery or a walk through the Marais. It asks for little but rewards attention. Style it with raw-hem denim and a white cotton shirt for a day of errands, or layer it over a slip dress and leather boots for an evening out. The contrast of its rugged canvas and ornate needlework makes it the anchor of a wardrobe built on intention and texture.
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SISSEL EDELBO | Maggie Suzani Embroidered Jacket - Asphalt
SISSEL EDELBO | Maggie Suzani Embroidered Jacket - Asphalt
The Maggie Suzani jacket in Asphalt from SISSEL EDELBO is a study in deliberate contrast: the sturdy, utilitarian structure of a cotton canvas workwear silhouette is subverted by an explosion of handcrafted narrative. Its defining feature is the dense, vivid Suzani embroidery that crawls across the fabric—a tapestry of traditional Indian motifs woven with contemporary symbols like hearts, flowers, and the word “LOVE.” This is not a delicate accent; it is a bold, textural statement that transforms a reliable jacket into a piece of wearable art. The fabric itself is a substantial cotton canvas, chosen for its ability to hold shape and structure. It has a dry, crisp hand that softens slightly with wear, developing a subtle, personal patina. Against this grounded, almost industrial backdrop, the embroidery feels even more striking. The threads catch the light, their slight sheen creating a dimensional play across the surface. The manual chain-stitch technique, executed by Indian artisans using a tambour hook, lends the pattern a vivid, almost painterly quality—each stitch is a deliberate, irreplicable mark of the maker’s hand. Cut with a classic, boxy silhouette, the Maggie jacket sits squarely on the shoulders and falls cleanly over the torso without constriction. The front placket is secured by sturdy buttons, and two practical patch pockets at the hips ground the piece in functionality. The cut is generous enough to accommodate a fine-gauge knit or a silk blouse beneath, yet the crisp structure prevents it from feeling bulky. The hem hits at the high hip, a proportion that flatters a wide range of silhouettes, from flowing dresses to tailored trousers. When worn, the jacket offers a quiet sense of authority. The canvas remains still, while the embroidery becomes the focal point of any movement—a turn of the wrist, a hand slipped into a pocket. This is a piece for the city, for transit between appointments, for a late lunch at a gallery or a walk through the Marais. It asks for little but rewards attention. Style it with raw-hem denim and a white cotton shirt for a day of errands, or layer it over a slip dress and leather boots for an evening out. The contrast of its rugged canvas and ornate needlework makes it the anchor of a wardrobe built on intention and texture.
Original: $337.00
-65%$337.00
$117.95Product Information
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Description
The Maggie Suzani jacket in Asphalt from SISSEL EDELBO is a study in deliberate contrast: the sturdy, utilitarian structure of a cotton canvas workwear silhouette is subverted by an explosion of handcrafted narrative. Its defining feature is the dense, vivid Suzani embroidery that crawls across the fabric—a tapestry of traditional Indian motifs woven with contemporary symbols like hearts, flowers, and the word “LOVE.” This is not a delicate accent; it is a bold, textural statement that transforms a reliable jacket into a piece of wearable art. The fabric itself is a substantial cotton canvas, chosen for its ability to hold shape and structure. It has a dry, crisp hand that softens slightly with wear, developing a subtle, personal patina. Against this grounded, almost industrial backdrop, the embroidery feels even more striking. The threads catch the light, their slight sheen creating a dimensional play across the surface. The manual chain-stitch technique, executed by Indian artisans using a tambour hook, lends the pattern a vivid, almost painterly quality—each stitch is a deliberate, irreplicable mark of the maker’s hand. Cut with a classic, boxy silhouette, the Maggie jacket sits squarely on the shoulders and falls cleanly over the torso without constriction. The front placket is secured by sturdy buttons, and two practical patch pockets at the hips ground the piece in functionality. The cut is generous enough to accommodate a fine-gauge knit or a silk blouse beneath, yet the crisp structure prevents it from feeling bulky. The hem hits at the high hip, a proportion that flatters a wide range of silhouettes, from flowing dresses to tailored trousers. When worn, the jacket offers a quiet sense of authority. The canvas remains still, while the embroidery becomes the focal point of any movement—a turn of the wrist, a hand slipped into a pocket. This is a piece for the city, for transit between appointments, for a late lunch at a gallery or a walk through the Marais. It asks for little but rewards attention. Style it with raw-hem denim and a white cotton shirt for a day of errands, or layer it over a slip dress and leather boots for an evening out. The contrast of its rugged canvas and ornate needlework makes it the anchor of a wardrobe built on intention and texture.
