Sissel Edelbo | Maggie Suzani Embroidered Canvas Jacket
The Sissel Edelbo Maggie Suzani Sand-Wave Jacket is a study in deliberate contrast: a sturdy cotton canvas shell rendered unexpectedly poetic by an intricate, all-over Suzani embroidery. This is not a jacket that whispers; it speaks in a language of rich texture and narrative stitchwork. The silhouette is a classic, unfussy workwear-inspired shape—a straight, boxy cut that prioritizes ease and a certain utilitarian grace. It is substantial without being stiff, a garment that holds its own form while promising to settle into the wearer’s movements over time. The fabric’s hand is crisp and dry, a robust cotton canvas that feels both protective and breathable. Against this grounded, matte base, the embroidery erupts in a vivid tapestry. The Suzani technique, a manually controlled chain stitch executed by Indian artisans using a tambour hook, creates a raised, almost three-dimensional surface. The pattern is a deliberate fusion: traditional Indian motifs are woven together with universal and contemporary symbols—hearts, the word “LOVE,” and stylized flowers. The result is a folkloric modernity, where ancient craft meets a playful, graphic sensibility. The sandy-beige ground allows the dense, colorful stitching to command full attention. In terms of fit, the Maggie Jacket is designed with a roomy, relaxed body that allows for layering without bulk. It falls to the hip, a versatile length that flatters a range of silhouettes. The front placket is secured with a row of tactile buttons, and two practical patch pockets sit at the hip, grounding the piece in its workwear origins. The construction is deliberate: the embroidery does not compromise the jacket’s structure, and the canvas maintains its shape whether buttoned or worn open. There is a satisfying weight to it, a sense of considered substance that speaks to its handmade nature. Movement is fluid within the jacket’s generous cut. The canvas swings easily, while the embroidered surface catches light, creating a subtle, shifting texture. This is a piece for the transitional seasons—spring and autumn—when a layer of substance is required, but a heavy coat is still too much. Style it with a simple white linen dress for a clash of textures, or throw it over a fine-gauge cashmere turtleneck and wide-leg trousers for a grounded, editorial look. Let it be the singular statement piece in an otherwise minimal outfit; its embroidery is the conversation. Wear it with raw denim and leather boots for a day in the city, or with a silk slip skirt and sandals for an evening that demands character.
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Sissel Edelbo | Maggie Suzani Embroidered Canvas Jacket
Sissel Edelbo | Maggie Suzani Embroidered Canvas Jacket
The Sissel Edelbo Maggie Suzani Sand-Wave Jacket is a study in deliberate contrast: a sturdy cotton canvas shell rendered unexpectedly poetic by an intricate, all-over Suzani embroidery. This is not a jacket that whispers; it speaks in a language of rich texture and narrative stitchwork. The silhouette is a classic, unfussy workwear-inspired shape—a straight, boxy cut that prioritizes ease and a certain utilitarian grace. It is substantial without being stiff, a garment that holds its own form while promising to settle into the wearer’s movements over time. The fabric’s hand is crisp and dry, a robust cotton canvas that feels both protective and breathable. Against this grounded, matte base, the embroidery erupts in a vivid tapestry. The Suzani technique, a manually controlled chain stitch executed by Indian artisans using a tambour hook, creates a raised, almost three-dimensional surface. The pattern is a deliberate fusion: traditional Indian motifs are woven together with universal and contemporary symbols—hearts, the word “LOVE,” and stylized flowers. The result is a folkloric modernity, where ancient craft meets a playful, graphic sensibility. The sandy-beige ground allows the dense, colorful stitching to command full attention. In terms of fit, the Maggie Jacket is designed with a roomy, relaxed body that allows for layering without bulk. It falls to the hip, a versatile length that flatters a range of silhouettes. The front placket is secured with a row of tactile buttons, and two practical patch pockets sit at the hip, grounding the piece in its workwear origins. The construction is deliberate: the embroidery does not compromise the jacket’s structure, and the canvas maintains its shape whether buttoned or worn open. There is a satisfying weight to it, a sense of considered substance that speaks to its handmade nature. Movement is fluid within the jacket’s generous cut. The canvas swings easily, while the embroidered surface catches light, creating a subtle, shifting texture. This is a piece for the transitional seasons—spring and autumn—when a layer of substance is required, but a heavy coat is still too much. Style it with a simple white linen dress for a clash of textures, or throw it over a fine-gauge cashmere turtleneck and wide-leg trousers for a grounded, editorial look. Let it be the singular statement piece in an otherwise minimal outfit; its embroidery is the conversation. Wear it with raw denim and leather boots for a day in the city, or with a silk slip skirt and sandals for an evening that demands character.
Original: $337.00
-65%$337.00
$117.95Product Information
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Description
The Sissel Edelbo Maggie Suzani Sand-Wave Jacket is a study in deliberate contrast: a sturdy cotton canvas shell rendered unexpectedly poetic by an intricate, all-over Suzani embroidery. This is not a jacket that whispers; it speaks in a language of rich texture and narrative stitchwork. The silhouette is a classic, unfussy workwear-inspired shape—a straight, boxy cut that prioritizes ease and a certain utilitarian grace. It is substantial without being stiff, a garment that holds its own form while promising to settle into the wearer’s movements over time. The fabric’s hand is crisp and dry, a robust cotton canvas that feels both protective and breathable. Against this grounded, matte base, the embroidery erupts in a vivid tapestry. The Suzani technique, a manually controlled chain stitch executed by Indian artisans using a tambour hook, creates a raised, almost three-dimensional surface. The pattern is a deliberate fusion: traditional Indian motifs are woven together with universal and contemporary symbols—hearts, the word “LOVE,” and stylized flowers. The result is a folkloric modernity, where ancient craft meets a playful, graphic sensibility. The sandy-beige ground allows the dense, colorful stitching to command full attention. In terms of fit, the Maggie Jacket is designed with a roomy, relaxed body that allows for layering without bulk. It falls to the hip, a versatile length that flatters a range of silhouettes. The front placket is secured with a row of tactile buttons, and two practical patch pockets sit at the hip, grounding the piece in its workwear origins. The construction is deliberate: the embroidery does not compromise the jacket’s structure, and the canvas maintains its shape whether buttoned or worn open. There is a satisfying weight to it, a sense of considered substance that speaks to its handmade nature. Movement is fluid within the jacket’s generous cut. The canvas swings easily, while the embroidered surface catches light, creating a subtle, shifting texture. This is a piece for the transitional seasons—spring and autumn—when a layer of substance is required, but a heavy coat is still too much. Style it with a simple white linen dress for a clash of textures, or throw it over a fine-gauge cashmere turtleneck and wide-leg trousers for a grounded, editorial look. Let it be the singular statement piece in an otherwise minimal outfit; its embroidery is the conversation. Wear it with raw denim and leather boots for a day in the city, or with a silk slip skirt and sandals for an evening that demands character.



















